We can pause roughly mid-way in our Penguin Alphabet to daydream about all those great books out there that for one reason or another (critical unpreparedness, zealously guarded copyright, etc.) have never quite made it into the Classics canon – but very much deserve to. The full list of such Not Yet Penguins would be [...]

  Some Penguin Classics – in fact many of them – leave you badly wanting more. The world, the writers they show us seem to breathe the living air, and the little wedges of exposure we get between Penguin covers tingle the mental skin, make a taste, create an itinerary to the nearest library to [...]

Some Penguin Classics, as we’ve seen, are overshadowed by their own brethren. Authors pour their hearts into the things they write, but no matter how their own estimations fall, the reading public has a much louder say – and it’s almost never how the author would like things to go. Human nature being what it [...]

Some Penguin Classics, as we’ve noted a couple of times, are at least as much about the edition as they are about the work itself – and sometimes this can be a bit problematic. Take the poetry of John Keats, for example. Obviously, he needs to be welcomed into the Penguin Classic line, but how? [...]

Some Penguin Classics are doubly significant – not only is the ‘source material’ something that’s often been venerated for centuries, but the particular edition chosen by Penguin has also achieved something of the status of a classic. Such is certainly the case with the renowned edition of Juvenal’s satires produced by the great classicist Peter [...]

Some Penguin Classics just automatically prompt a smile – because some classics are just happy occurrences, free of somber overtones, free of the burden of interpretation, free of the obligation to be anything other than entertaining (which hasn’t stopped academics and English departments from beavering away at them, but even so). And one of those [...]

Some Penguin Classics are just a bit more famous than others, and the top spot there will likely always go to E. V. Rieu’s 1946 translation of Homer’s Odyssey, because it got the whole show started. And it started in the way all the best intellectual endeavors do: on amateur footing, without a thought of [...]

  Some Penguin Classics make their courtroom cases with the blunt force of a bulldog trial lawyer, flatly asserting that their client deserves a better deal. Of course this is what all reprint editions should do, ideally: no book should assume a second life in print – books cost money to make and time to read, after [...]

    Some Penguin Classics live forever in the shadow of their more famous brethren, which is of course unfair. My lit’rary friends and I have often lamented the way so many authors are best known for their second-best work, and predicting when and how it’ll happen seems to boil down to divining the urgencies [...]

Some Penguin Classics you’ll never the hell have heard of, period. Top of that list would be something like Alexander Exquemelin’s De Americaensche Zee-Rovers, published in a lovely little edition in Holland in 1678, and yet there it is, all dolled up in a 1969 Penguin Classic translation by Alexis Brown. Exquemelin’s book translated into [...]

Some Penguin Classics prove a few of my Rules About Authors (not to be confused with my Rules For Authors, a very different though equally long list) rather handily, as in the case of Richard Henry Dana, Jr.’s rip-snorting 1840 book Two Years Before the Mast, issued as a Penguin in their American Library in [...]

  Some Penguin Classics are eerily prescient, sometimes in decidedly unpleasant ways. In 2013 we’re resolutely gearing up for the 2014 centennial of the opening of the First World War, gearing up for a probable onslaught of books, documentaries, and commemorative magazines designed to remember/reassess/cash in on one of the gruesome formative events of the [...]