Some Penguin Classics have been reprinted so many times in so many formats and years and fads that no further possible textual justification can ever be found for doing it again – instead, publishers have to think outside the book, have to look for nuances of presentation if they want to create something that feels […]

Some Penguin Classics mark a melancholy succession, and works in translation are particularly vulnerable to this. The old cherished translations of great works – the Rosemary Edmonds War and Peace, the E. V. Rieu Homer, the Dorothy Sayers Divine Comedy, and so on – begin to feel almost imperceptibly dated around the edges. If they’re […]

Some Penguin Classics are legitimate scholarly landmarks. Not as many as you might expect, and for the clear reason that the overriding purpose of any classics-reprint line is actually the opposite of originality: a new Introduction here, a pretty new cover there, but the heart of Dover, Signet, Bantam, Penguin and all other reprint lines […]

Some Penguin Classics maintain a gruesome kind of relevance, which is surely part of what’s behind the publisher’s decision to bring Jean Larteguy’s 1960 French bestseller Les Centurions back into print, here ushering the book into the Classics line with the Xan Fielding translation (as The Centurions) and a Foreward by Balkan Ghosts author Robert […]

Some Penguin Classics look so darn elegant in their special anniversary editions, which certainly applies to the 50th anniversary reprint of The River Between, the lean and powerful 1965 debut novel by Kenyan author Ngugi wa Thiong’o, here presented with a new Introduction by Beasts of No Nation author Uzodinma Iweala and sporting a gorgeous […]

Some Penguin Classics have perfect timing, and this neat new reprint of Elizabeth Von Arnim’s beloved 1922 bestseller The Enchanted April is a great example. If it had actually reached me in the month of April here in Boston, with the skies still black, the days still freezing, and the streets and parks still piled […]